Revista Cosquillas

Cosquillas operates at the intersection of . Its “ticklish” aesthetic destabilises conventional reading habits, prompting readers to become co‑authors of meaning. The magazine’s hybrid print‑digital model demonstrates a sustainable path for independent periodicals: low‑volume, high‑engagement print complemented by interactive digital extensions.

| Visual/Verbal Device | Example (Issue 4) | Intended Effect | |----------------------|-------------------|-----------------| | – a thin, wavy line surrounding a page that invites the reader to “scrape lightly” with a fingertip (a tactile cue). | A political cartoon of a politician being “tickled” by a giant feather labeled “transparencia” . | Evokes bodily engagement, turning reading into a kinesthetic act. | | Pun‑Overlay – a transparent typographic layer that reveals a hidden joke when held up to light. | The headline “¡Alerta de hormigas!” (Ant alert) reveals “¡Alerta de hormigón!” (Concrete alert) under UV light. | Plays on linguistic ambiguity, underscoring the “double‑meaning” nature of satire. | | QR‑Tickle‑Games – QR codes linking to micro‑games where the player “tickles” an on‑screen character to reveal a hidden article excerpt. | A game titled “Cosquillazo” where each successful tickle unlocks a short poem about urban loneliness. | Bridges print and digital, encouraging active participation. |

Barthes, R. (1977). Image‑Music‑Text . Hill and Wang. revista cosquillas

was a notable Chilean satirical and picaresque magazine published between 1971 and 1972 . It stood out for its use of erotic humor and caricatures during a period of significant social and political change in Chile. 📝 Historical Context

: While much of the content was erotic, contributors like Alfons Figueras brought elements of black humor to its pages. 🏛️ Legacy and Memory Cosquillas operates at the intersection of

política y escritura en Grindermanías de Juan Pablo Sutherland

: It hosted work by prominent illustrators such as Gin (Jordi Ginés Soteras), Vicar , and Alfons Figueras . 🎨 Artistic Significance | Visual/Verbal Device | Example (Issue 4) |

Rancière, J. (2004). The Politics of Aesthetics . Continuum.

These devices collectively construct a , defined here as an interplay of surprise, bodily resonance, and semantic elasticity that destabilises the reader’s expectations.

: Some records of the magazine's role in the "sexuality and sensuality" of comics during the UP era can be found through the Biblioteca Nacional Digital de Chile.

| Code | Description | Example |