Joelfamularo -

In The Grocery Store Simulator , Famularo isolates the sensory rituals of capitalism. The thwump of a potato hitting the plastic scanner bed, the beep of the barcode, the crinkle of the plastic bag—these become a hypnotic loop. Critics have called it a “rage simulator” because of the intentionally janky physics (the potato often falls off the scanner, forcing you to crouch and pick it up). But that frustration is the point. Famularo argues that the friction of digital reality is what makes us feel present. A perfectly smooth simulation would be a lie; a simulation where the potato rolls under the counter is a truth. He is not mocking the player’s desire for order; he is mourning the impossibility of it.

Famularo’s work is often labeled “walking simulators” or “meme games,” but those labels miss the architectural precision of his design. He is a formalist working in the medium of inconvenience. Where other developers patch bugs, Famularo cultivates them. Where others build invisible walls to guide the player, Famularo builds visible walls and dares you to stare at the texture seam. This approach draws a direct line from the Dadaist provocations of Marcel Duchamp to the minimalist compositions of John Cage. Like Cage’s 4’33” —a piece of silence where the audience hears only ambient noise—Famularo’s games ask us to listen to the background hum of our own impatience. joelfamularo

If you could provide more context or clarify what kind of feature you're looking for, I'd be happy to try and assist you further! In The Grocery Store Simulator , Famularo isolates

Many mirrorless and prosumer camera systems boast exceptional dynamic range but suffer from clinical, harsh, or inaccurate native color profiles. Famularo recognized this limitation when pairing secondary cameras with his own ARRI systems. Instead of relying on generic color conversion math, he built a meticulous calibration methodology: But that frustration is the point

Most of Joel's work is organized into two primary categories, available for various camera brands on his official website : Cinematic LUTs for Sony A7SIII, FX3, or FX6