: Unlike traditional nature documentaries, it shifts the focus away from human narration to show the bears' point of view as they navigate an "obstacle course" of tourists, paparazzi, and wildlife officers.
The term "Nuisance Bear" gained significant global attention with the release of the Sundance Grand Jury Prize-winning documentary directed by Gabriela Osio Vanden and Jack Weisman.
When initializing SEncParamBase or SEncParamExt , you must configure the encoder to understand the lowest layer.
// IMPORTANT: Ensure the encoder knows this is the minimum floor param.sSpatialLayers[0].sSliceArgument.uiSliceMode = SM_FIXEDSLCNUM_SLICE;
Set in Churchill, Manitoba—the "Polar Bear Capital of the World"—the film follows a polar bear as it navigates a landscape increasingly crowded by tourists and wildlife officials.
Here is a guide on how to implement a Nuisance Bitrate/Quality floor feature using the OpenH264 encoder API.
OpenH264 uses sSpatialLayers to define resolution layers (Simulcast or SVC). To support a nuisance mode, ensure your lowest spatial layer matches your nuisance definition.
A bear is labeled a "nuisance" when its natural migration path collides with human settlements, often leading to it being "policed," tranquilized, or even relocated to "polar bear prison".
void OnTargetBitrateChanged(int new_target_bitrate_kbps) { if (new_target_bitrate_kbps < kNuisanceBitrateKbps) { // FEATURE: Force Nuisance Mode // Instead of stopping video (new_target < threshold), // we clamp the target to the nuisance floor.
