While the film excels in its social critique, its treatment of the romantic subplot involving Mahi is more conventional. Mahi is introduced as a spirited woman who loves the drama of cinema, yet she becomes the unwitting victim of Karam’s deception. The narrative relies on the trope of the "lie" that must be maintained until the climax. However, the film redeems this through its resolution. When the truth is finally revealed, it is not just a moment of personal betrayal, but a systemic failure. The men who loved Pooja feel foolish not because they fell for a voice, but because they ignored the reality of the person behind it. The film concludes that true love, as represented by Mahi and Karam's eventual reconciliation, must be grounded in truth rather than fantasy.
loneliness and the basic human need for someone to talk to in the digital age. What to Expect Critics and viewers generally agree that the first half is a "laugh riot". While some feel the second half becomes slightly repetitive or "stretched," the film remains an entertaining "family entertainer". Note on Versions: Be sure you are watching the 2019 comedy Dream Girl starring Ayushmann Khurrana. It is distinct from the 2006 American musical Dreamgirls or the 1977 classic Bollywood film of the same name starring Hema Malini. AI can make mistakes, so double-check responses Copy Creating a public link... You can now share this thread with others Good response Bad response 17 sites Dream Girl Movie Review | Ayushmann Khurrana Sep 15, 2019 —
A family movie night, a rainy afternoon when you need cheering up, or anytime you want to watch a man explain to a police inspector why he pretended to be his own wife. watch dream girl movie
The film also offers a fascinating exploration of gender fluidity and performance. Karamveer’s ability to switch between a masculine and feminine voice with effortless ease challenges the rigidity of gender norms. In one of the film's most comedic yet subversive sequences, Karam is forced to disguise himself in a traditional bridal outfit to maintain the charade. This visual gag underscores the central theme: gender is often a performance. Karam is biologically male, yet his performance of "femininity"—through softness, listening, and empathy—is what makes him desirable. The "Dream Girl" of the title is, in fact, a man. This reversal forces the audience to question what they truly desire: the biological reality of a woman, or the qualities of care and attention that the persona represents?
While Ayushmann leads the charge, the film is stolen by the supporting actors—especially Annu Kapoor as a lonely, lovestruck 60-year-old and Manjot Singh as the clueless best friend. Every character is a ticking time bomb, and watching them all collide in the third act is pure cinematic chaos. While the film excels in its social critique,
The narrative introduces the audience to Karamveer Singh (Ayushmann Khurrana), a young man in Mathura struggling with unemployment and a family legacy of debt. His journey begins when he secures a job at a call center, not for his technical skills, but for his ability to speak in a flawlessly seductive female voice. Adopting the persona of "Pooja," Karam becomes an overnight sensation, ensnaring the hearts—and wallets—of lonely men across the city. The plot thickens as the callers, ranging from a shopkeeper to a police inspector and a poet, become increasingly obsessed with the illusion of Pooja. Complicating matters is Karam’s real-life romance with Mahi (Nushrratt Bharuccha), leading to a crescendo of comic errors where Karam must juggle his dual identities to save his life and his love.
Dream Girl is not a serious art film, and it doesn't try to be. It is a two-hour roller coaster of mistaken identities, awkward phone calls, and loud Punjabi wedding songs. However, the film redeems this through its resolution
Under the alias "Pooja," Karam becomes the call center’s most popular employee. But things spiral out of control when the lonely men on the other end of the line start falling in love with "Pooja." From a desperate police officer to a grieving widower and even a gangster, everyone wants to marry the voice on the phone. The comedy of errors explodes when these men all show up to meet their dream girl at the same place, at the same time.
: Frequently hosts the film for rent or as part of a subscription in select territories.
While the high-pitched voice gets the laughs, it is Khurrana’s physical acting that sells the movie. Watching him switch from a helpless son to a flirtatious "Pooja" in a matter of seconds is a masterclass in timing. He never turns the character into a caricature; you genuinely feel Karam’s panic as his web of lies tightens.
: Available for viewers in India with a Jio subscription.