You cannot buy a camera that outputs 12-bit Blackmagic RAW, 15 stops of dynamic range, and 120fps 4.6K for that price anywhere else. Pair it with a set of Rokinon Cine DS lenses or old Zeiss Contax glass, and you have a cinematic package that rivals cameras costing $15,000.
The included Sony L-series battery mount is basically a placeholder for a V-mount solution. You will get maybe 25-30 minutes of runtime on a standard battery. Buy a V-mount plate and a 98Wh battery immediately. Factor that into your budget.
If you're wondering whether to buy the original Ursa Mini Pro or the G2, here is the difference maker: blackmagic design ursa mini pro 4.6 k g2
Having shot everything from run-and-gun documentaries to controlled narrative sets with the G2, I’m here to tell you why this camera still lives rent-free in the minds of indie cinematographers.
It utilizes Blackmagic’s Generation 4 Color Science, which is specifically tuned to deliver natural skin tones and rich, organic colors that rival much more expensive cinema cameras from ARRI or RED. 2. Speed and Performance You cannot buy a camera that outputs 12-bit
While the dual native ISO 3200 is great, the native 400 ISO loves light. If you’re coming from a Sony A7S III or a Canon C70, you will be shocked at how much light you need to feed the G2. It eats light for breakfast. You will need fast primes (T1.5 or T2) or serious lighting packages for indoor night scenes.
: Capable of recording full sensor 4.6K at up to 120 fps , windowed 4K DCI at 150 fps , and windowed 1080 HD at 300 fps for smooth slow-motion. You will get maybe 25-30 minutes of runtime
The URSA Mini Pro 4.6K G2 is a rare beast that excels in both controlled narrative sets and chaotic "run-and-gun" scenarios. It’s heavy, and it requires a V-mount or Gold-mount battery system, but the image quality and professional feature set make it a foundational piece of gear for any serious production house.