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Quad Capture Roland Access

The Quad Capture offers a range of connectivity options, including four XLR/TRS combo inputs, two 1/4-inch TRS monitor outputs, and a headphone output. The interface also features a MIDI IN/OUT interface, allowing users to connect keyboards, drum machines, and other MIDI devices.

Features two premium "VS Preamps" with digital control, utilizing the same high-grade components found in Roland’s flagship V-Studio 700.

Perhaps its most unique feature, allows users to set perfect input levels automatically. By simply pressing a button and playing the connected instrument, the interface analyzes the signal and sets the ideal gain level for all preamps simultaneously, preventing clipping and distortion. 2. Low-Noise Design quad capture roland

The Quad Capture has a compact and sturdy design, making it suitable for both studio and mobile recording applications. The unit features a durable aluminum construction and a user-friendly interface with a range of controls and indicators. The interface has four XLR/TRS combo inputs, allowing users to connect a variety of microphones, line-level sources, and instruments.

To maintain professional sound quality in mobile environments, Roland completely segregates the digital and analog sections of the circuitry. It also includes a on the rear panel to eliminate unwanted hum from ground loops. 3. Advanced DSP Effects The Quad Capture offers a range of connectivity

Each input channel features internal 40-bit DSP processing, including a digital compressor, low-cut filter, and phase invert, all adjustable via a graphical control panel on your computer. Roland Users Group - QUAD-CAPTURE USB Audio Interface

The AD/DA (Analog to Digital/Digital to Analog) converters offer sampling rates up to 192kHz. While most recordings are done at 44.1kHz or 48kHz, the capability to go higher demonstrated that Roland was not cutting corners on the internal chips. The sound is transparent and flat—what you put in is exactly what you get out. This neutrality is preferred for mixing, as it doesn't artificially hype the low or high end. Perhaps its most unique feature, allows users to

Supports up to 24-bit/192 kHz recording and playback.

The Quad Capture offers a range of connectivity options, including four XLR/TRS combo inputs, two 1/4-inch TRS monitor outputs, and a headphone output. The interface also features a MIDI IN/OUT interface, allowing users to connect keyboards, drum machines, and other MIDI devices.

Features two premium "VS Preamps" with digital control, utilizing the same high-grade components found in Roland’s flagship V-Studio 700.

Perhaps its most unique feature, allows users to set perfect input levels automatically. By simply pressing a button and playing the connected instrument, the interface analyzes the signal and sets the ideal gain level for all preamps simultaneously, preventing clipping and distortion. 2. Low-Noise Design

The Quad Capture has a compact and sturdy design, making it suitable for both studio and mobile recording applications. The unit features a durable aluminum construction and a user-friendly interface with a range of controls and indicators. The interface has four XLR/TRS combo inputs, allowing users to connect a variety of microphones, line-level sources, and instruments.

To maintain professional sound quality in mobile environments, Roland completely segregates the digital and analog sections of the circuitry. It also includes a on the rear panel to eliminate unwanted hum from ground loops. 3. Advanced DSP Effects

Each input channel features internal 40-bit DSP processing, including a digital compressor, low-cut filter, and phase invert, all adjustable via a graphical control panel on your computer. Roland Users Group - QUAD-CAPTURE USB Audio Interface

The AD/DA (Analog to Digital/Digital to Analog) converters offer sampling rates up to 192kHz. While most recordings are done at 44.1kHz or 48kHz, the capability to go higher demonstrated that Roland was not cutting corners on the internal chips. The sound is transparent and flat—what you put in is exactly what you get out. This neutrality is preferred for mixing, as it doesn't artificially hype the low or high end.

Supports up to 24-bit/192 kHz recording and playback.